Skip to content
Saturday, October 17, 2026
Explore cutting-edge technology trends, digital transformat…

Game Review: Sleaford Mods' Jason Williamson Assumes Character in Sceptical Look at 90s Rave Culture

Helmed by Portishead co-founder Geoff Barrow, this sharp-edged though slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to burgle his own family home. In no time, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, enraged after David strangles his dog. Nevertheless, a grimly amusing standoff takes hold – David desperate to escape; the Poacher denying his container of cider, intent on soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Sensibility

Just a single key story turn, but it leads to a comically executed rampage on the woodland paths that dips close to folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now goes all out with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

The film is in UK and Irish cinemas from November 17.

The writer

Travis Haas

A tech strategist with over a decade of experience in digital innovation and AI-driven solutions.

FluxCore

Type to search articles.